These are a pair of concepts that tend to hound beginning writers, especially beginning writers who come from an academic environment. This is largely due to the fact, I think, that a lot of higher education, even of writers, is less about writing than it is about reading. Colleges spend a lot more time on analysis of fiction than it does on its creation, after all it’s a lot easier to teach in a systematic fashion. But the tools one brings to bear in understanding what someone has written are much different than what you use to write something. Theme and symbolism are two such tools. Wielding these twin swords, a talented person can take a novel and dissect it like a chef at a Japanese steakhouse, leading to all sorts of insights. . . But you need to remember something, that as a writer in this instance you’re not the chef, you’re the cow.
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