If you’ve been interested in the saga of my game development, good news! You can be part of the saga! Choice of Games needs beta testers for “Welcome to Moreytown.” All you need to do to become one is click on this link and follow the instructions. The beta window will not be open for long, so if you’re interested, sign up today!
You can find the overall schedule here, as for what I’m doing:
- Fri. 11pm – Fantasy and Rule 34
- Sat. 12pm – Vampires, Werewolves, and Gods—Rewriting Legends
- Sat. 2pm – Author Showcase (Session 3) [Wherein I will read a bit]
- Sat. 3pm – Autographing (Session 3) – Author Alley
- Sat. 9pm – Why Villains Matter
- Sat. 11pm – Inter-Species “Relations”
- Sun. 1pm – There are no Saints in Fiction
Looking forward to seeing some of my fans there.
Since I was talking about world-building earlier, thought I’d follow up with something a little different. Here’s a few ongoing webcomics that I really like that have created truly impressive universes to play in:
1) Girl Genius
Girl Genius has been going on since 2002, so if you’re new to it, bank some time to catch up. (Or buy the print copies.) Phil & Kaja Foglio’s “Gaslamp Fantasy” series has been going continuously from the start, with only a few filler strips here and there during it’s run. The world is correspondingly epic, with a vaguely Victorian Europe overrun by mad scientists and their creations. A lot of it is intentionally goofy and amusing, but as Terry Prachett once said, “Funny is not the opposite of Serious.”
A special child is enrolled in a strange boarding school that seems to exist in its own separate universe. You’d be forgiven if you think of Hogwarts. But if this is Hogwarts, it is Hogwarts filtered through Terry Gilliam and Neil Gaiman. The eponymous Court is a school, but also a city filled with ghosts and automatons, adjacent to a forest where the old spirits live. Including a particular Coyote.
How many post-apocalyptic stories come with a hefty dose of Scandinavian magic and folklore? One that I know of. All the fantastic elements tie back into the setting, as do the characters. This is one of those stories that could not be removed from its locale. It’s a slow burn, but when the monstrosities start showing up, they are absolutely horrifying. (Though a trigger warning for those who have issues with violence to cats and dogs.)
If any webcomic ever had the potential to found its own religion, this is it. The world is deep and strange and somehow vaguely familiar all at the same time. The art is stunning and hallucinatory. It’s a story of gods and angels and devils and a heaven/hell that’s suffering severe infrastructure problems due to neglect.
I’ve been reading some Neal Stephenson lately and I’ve been reminded of a point that I often try to make when I do my world-building talks. The point being that the skills used for world-building in science fiction and fantasy are not genre specific. I see writers who assume that if they’re not building the universe from the ground up, the whole world-building toolkit is irrelevant. They fail to realize that every writer has to build a world in the reader’s mind, and even if the facts behind the pages are not the author’s invention, those facts still need to inform the story and make it into the reader’s head. The world of Cryptonomicon is no less full and complex and richly detailed as Snow Crash, despite the former being less science fiction than the average Tom Clancy novel.
I’m currently reading (listening to) Reamde. And I’m reminded a lot of a triptych of John Brunner novels; Stand on Zanzibar, The Sheep Look Up, and The Shockwave Rider. Like those three rightly classic novels, Stephenson juggles multiple viewpoints to illuminate an incredibly detailed and complex world— even when that world is much more congruent to the one we live in than Brunner’s.
Just a little update to let you know I’m still alive, still busy doing game things like revising my final draft for my editor. Now that’s done, we’re on to continuity and beta testing. In the meantime I had to come up with some additional “assets” for the game. One such “asset” is some descriptions of the game.
No more than 50 characters, suitable for the Subject: line of an email.
Okay, I can do that.
We recommend coming up with 20 of them.
You think that sounds bad? It’s really worse. Especially because, well, I’m a novelist. Pithy ain’t really my thing. When your publisher’s documentation of their needs actually uses the word “grueling,” you know you’re in for a good time. It’s especially grueling because this is no trivial bit of work. One of those 20 lines may be the first glimpse someone has of this game, so it’s kind of important.
PS: I was going to put up a political post instead of this, and then I looked around and told myself, “Yeah, that’s what the Internet needs right now— MORE POLITICS!“
The first draft of Welcome to Moreytown is done!
After a few more run-throughs I should be handing it off to Choice Of Games by the end of the week. The bad news, for those of you itching to play this thing, is that we still have rounds of editorial comment to go through. Then, unlike my other fiction, there will be the beta testing and more comments. So don’t expect this to be available on iTunes for another six to eight months, at least.
As I mentioned in my last update, writing this thing resulted in a cascade of complexity at the end, resulting in a distinct 28(!) separate paths into the Epilogue. And that may be understating things because there are a few end states that overlap into the same entry point.
Finally saw it, and I have to say Rogue One is pretty much the best Star Wars movie to hit the screen since the credits rolled on Empire Strikes Back. It manages to prove that it is possible to do several things that have evaded the film franchise since the introduction of ewoks:
- Apparently you can make a Star Wars prequel that doesn’t suck or introduce gaping plot holes.
- You can do homage to the 1977 Star Wars without cannibalizing the plot.
- The protagonist doesn’t have to be a superhero in training.
- The Jedi don’t have to be all that.
- You can write a Star Wars film for adults.
- Aliens don’t have to be CGI Muppets.
But while we see what the rebels are fighting against, we have almost no sense what they are fighting for. What kind of regime does the Rebel Alliance intend to establish if it wins? […] It is almost as if the rebels simply assume that, if the Empire is bad, virtually any alternative government is likely to be better. Such thinking has often proven dangerous in the real world. The Russian, Chinese, Cuban, and Iranian revolutions are among the many revolts against oppressive governments that ended up installing regimes even worse than those they supplanted.
Realistic, but troubling. Perhaps more troubling:
Droids are at least as intelligent as humans, and clearly feel emotions, such as hope, fear, and pain. K-2, the main droid character in Rogue One, has personality, free will, and a mind of his own to an even greater extent than C-3PO and R2-D2. Yet neither rebels nor imperials see anything wrong with treating sentient droids as essentially the slaves of biological beings.
Much like many of the American Founding Fathers, the rebels are simultaneously freedom fighters and slave owners. Unlike George Washington and Thomas Jefferson, the rebels don’t even seem to realize that there is a contradiction between these two roles.
So, less than a month before the election, a group called “Pantsuit Nation” appeared on Facebook. It was a Mecca for Hillary supporters, who were invited to join the “private” group en masse until, by the time the Washington Post was printing glowing reviews of the pro-Clinton site, it had nearly two million members. The Post contrasted its uplifting message with Trump supporters more acerbic and “in your face” social media presence. The coverage did not hurt the numbers either, as the site continued to grow after Clinton’s loss becoming something of a “safe-space” for online feminists to sit shiva and tell their stories.
The group’s founder, Libby Chamberlain, made a surprise announcement that “Pantsuit Nation,” after less than two months of existence, is going to become a book. This has come as a bit of a shock to the online membership. Who aren’t happy about it.
As mentioned on the Huffington Post:
And now, of course, there is a book deal, announced with no transparency as to where the profits from the book are going, whether the contributors whose posts Chamberlain is presumably selecting for this book will get paid, and without any consideration for breach of privacy laws were someone’s intellectual property and personal experience suddenly able to sit on your coffee table. Pantsuit Nation reportedly is working to become a 501(c)(3) and 501 (c)(4) charity, which raises more questions about profit allocation and distribution. Chamberlain is the only person credited on the book pre-order page, which also is troubling given that the book supposedly has no content, theme, or profit sharing structure and is already available for $17.99 on Barnes and Noble’s website.
As a writer and user of social media myself, I find this very disturbing, and very sketchy. It has all the earmarks of a scam, up to and including the accelerated timeline. It almost looks as if the site was founded with the intent to scrape free content for publication.
Despite pleas to the Electoral College, Trump got almost all the electors pledged to him. While 2016 was a record year for faithless electors (most on Hillary’s side, interestingly enough) it was an order of magnitude short of what would have been needed to move the needle. So we have Trump for four years. While Democrats seem convinced that our country will end up as some alt-right dystopia somewhere between Fury Road and Hunger Games, I’m trying to form a more realistic picture of what the next four years might look like. Here are some predictions in no particular order:
- Business cycles being what they are, we’re overdue for a recession, and it will probably hit in 2017 if it’s not here already. It will probably be on a par with 2008, and it will be blamed on Trump’s economic policy, even though by the time we’re in the midst of it he’ll have barely outlined a proposal, much less implemented anything.
- One of the first big showdowns will be over downsizing or reorganizing some major federal agency. There will be picket lines of civil servants chanting “We Will Overcome” and the stories will claim that this is the last stand of the labor unions. It will end much like Reagan and the air traffic controllers or Walker and the teachers’ unions.
- There will be a major scandal in the media about some Trump company and conflict of interest. It will go absolutely nowhere, but every left wing pundit will find a way to work it into into every discussion about Trump for the next four to eight years.
- The Republicans will learn nothing, claim their own permanent majority, and screw the pooch in the midterms, losing the Senate, possibly the House, and one or two governorships.
- Because of this, the Trump presidency will tack to the center in a mirror image replay of (Bill) Clinton’s. Another similarity is that this will coincide with an economic recovery as we exit the 2017 recession. Trump will claim credit for it.
- Like Clinton with welfare reform, Trump will piss of his base with some grand compromise on immigration reform. It will please no one, might actually work, and effectively take the issue off the table for the next election cycle.
- Race relations will improve, not because of any structural or policy change, but because people’s perceptions of the black-white tensions will improve. This will happen because the media will shift focus away from racism and on to immigration and the economy.
If you were to pick out who is the most “problematic” character in the SF/Fantasy canon, H.P.Lovecraft has got to be near the top of the list. He is probably one of the most influential voices in the genre, not just touching authors as diverse as Stephen King and Charles Stross, but extending his tentacles deep into popular culture; movies, comics, games, t-shirts, internet memes, music. . . The influence is pervasive.
And that’s what makes him problematic.
Because he was also a racist and bigot of the first order. This is, in the current age, the primary unforgivable sin. And he made life particularly difficult for any apologists because he wasn’t particularly subtle about it in either his fiction or his correspondence. Not only did he make his views explicit in his letters, any reader with half a brain can look into his stories of the terrifying “other” and see the racism staring right back.
It occurs to me that this is exactly why he is such an important writer. Some others might want to, on one side, remove or minimize his pride of place among foundation authors in the genre, and on the other, minimize his “unwholesome” views to protect his legacy from being tarnished. . . I think both sides miss the point.
What Lovecraft did was take his own personal— and to modern eyes bigoted and racist— fears, and abstracted them just enough to make them universal. The fact is, however progressive anyone tries to be, there is always “our” tribe and the “other” tribe. Some draw the lines by race, some by class, some by nationality, and some by political affiliation. We may not like this fact of human nature, but that doesn’t change the fact that it exists. Lovecraft looked into the darkest part of his own soul and pulled out something horrifying, and very human.